Visual Arts commissioning
Loz Atkinson
Yambe Tam
We have commissioned Yambe to further develop her recent installation at Barbican Arts Trust, ‘Musica Universalis’, for a solo exhibition at Attenborough Arts Centre in 2021
Kathryn Cooper
Kathryn’s practice grew out of an interest in the organising of information and systems, and often has a participatory element that creates space for dialogue and meaningful interaction with the audience. She has an ongoing focus on mental health and mental distress in her work, and the systems and circumstances (often bureaucratic and institutional) in which people lose their ability to trust instinctive knowledge.
Kathryn is developing a new body of work based on small sculptures that she made during a brief period of art psychotherapy in 2009 – as the patient. These little clay fragments have an enigmatic quality, something to do with self preservation, creating defences between oneself and the other, self soothing and the creation externally of some psychological parts. Beginning with these small fragments, Kathryn will explore relationships between beings – thinking in particular about object relations theory (a psychoanalytic theory – a development of Freudian theories) and the act of going to therapy.
Tim Neath
Tim’s commission was to support him through the final stages of developing and filming his work ‘Cowboys Invaded’ which tells the story of aliens conquering the American West. This work is part of a strand of Tim’s practice that is concerned with the stories and politics of the Western genre of film, particularly the idea of Manifest Destiny.
Tim will be presenting his completed commission at Attenborough Arts Centre in January 2021.
No Jobs in the Arts
No Jobs In The Aarts (NJITA) showcases the work of early career artists in the region using a zine format which is printed and distributed for free around galleries across the East Midlands.
We commissioned NJITA to produce a new edition of their zine focused on platforming the work of early career artists in the region who have a disability or otherwise face barriers to their practice.
You can access the digital zine here. A limited print run will be produced to coincide with Leicester Art Week, 20-29 November 2020